"You're always meeting new people – actors, sportspeople, singers. You travel. That is why I find it more interesting than my first job. As a dental technician, I would spend all day working with teeth."
The key kit that the pros use to take their photographs
The successor to the Mark II that Karim favours offers superb low-light performance, deep learning AF and 5.5K RAW video. "The Mark II is quieter than the previous model and it has such a fast focus, especially important for the golf and other sports events I cover," says Karim.
With a range of ultra-wide-angle focal lengths in one advanced-quality zoom lens, the Canon EF 11-24mm f/4L USM is ideal for shooting everything from landscapes to interiors. "This is a great lens with no distortion," says Karim. "I was covering a business event where there were 100 people who wanted to have their picture taken with the King of Spain and I was the only photographer to get the shot."
A contemporary classic, the Canon EF 35mm f/1.4L II USM is favoured by reportage photographers because of its natural perspective and low-light capability. It's a "fantastic lens," says Karim. "So bright, sharp, fast and not too heavy – great for working in the street."
The Canon EF 50mm f/1.2L USM gives photographers superlative creative control over depth of field and focusing. Karim says: "Shooting with this lens is great training because you learn to crop with your eyes. I could travel with just this lens."
A pro-level short-telephoto lens, the Canon EF 85mm f/1.2L II USM is designed for low-light shooting and situations where very shallow depth of field is needed. "This is my favourite lens for portraits," says Karim. "The bokeh is magical."
With a true macro magnification ratio of 1:1 – meaning the object being photographed in real life appears the same size as on the camera sensor – the Canon EF 100mm f/2.8L Macro IS USM is perfect for close-up shots. Karim says: "This was one of my first lenses. I used to use it to photograph flowers and bees, but now I use it in the studio for product shots of jewellery or perfume."
The latest version of the 70-200mm lens that Karim uses is a favourite telephoto zoom with photographers of every kind. "It's essential for events and so versatile," says Karim.
The successor to Karim's favoured 400mm lens is an ultra-high-performance L-series super-telephoto lens. "I use it to capture musicians on festival stages. You get the best shots from way back. It's a fantastic lens – fast and sharp," says Karim.
The Canon Extender EF 2x III doubles the focal length of Canon L-series telephoto or telephoto zoom lenses with better AF accuracy. "I mainly use this for photographing birds or wildlife," says Karim. "I also used it to take a portrait of Joe Biden when he came to Morocco a few years ago. In some situations, it gives you an advantage over other photographers."
The latest version of the Speedlite 600EX-RT Karim uses is designed for quick frame rate shooting and gives the user ultimate control over their lighting. "I use these in low-light scenarios, on the red carpet at festivals, or for corporate portraits," says Karim.
En una sesión con Getty Images y Canon, dos fotógrafos colaboran para capturar la pasión y la intensidad del deporte más tradicional.
No todo son objetivos largos y velocidades de obturación rápidas: el fotógrafo profesional de deportes Tom Jenkins comparte sus mejores consejos para mejorar tus fotos de deportes.
Lorenz Holder, embajador de Canon, explica cómo utilizó un teleobjetivo zoom de abertura rápida para fotografiar a un patinador en acción bajo un viaducto.
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